Invisible People
I titled this series Invisible People because that is precisely what so many experiencing homelessness are made to be. People pass them on the street, avert their eyes, and treat them as though they simply do not exist .By presenting these portraits at amonumental scale, I am insisting that they be seen. I am making the invisible visible.
The Collection
A definitive archive of large-format woodblock prints and charcoal drawings. Each piece honors the nobility and presence of those living on the margins of our society.
Limited edition of original prints are all inked by hand and signed by the artist and available mounted on stretched canvas or on archival paper. 20% of each original print of the Invisible People series goes back to funding local charities for the unhoused poplutaions
Special edition prints
Print sizes listed: Most prints are 36in x 48in, some are larger
SEERIES 01
The Watcher
Nathaniel, 54
SAN DIEGO, CA
SERIES 03
Quiet Resilience
Saul
DOWNTOWN DISTRICT
Thomas
WORK NO. 142
Untitled (Profile in Gray)
VIEW DETAILS
Elijah
WINTER ARCHIVE
The Grip
DETAIL STUDY
The Grip
DETAIL STUDY
Derek. Age:25
New York
Met in: Syracuse
Years unhoused: Unknown
2018
Block print, mounted canvas panel
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Kevin 51
2007
36 x 48 inch.
Block print, mounted canvas panel
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Elijah 47
2009
36 x 48 inch.
Block print, mounted canvas panel
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Mark 46
2015
48 x 72 inch.
Block print, mounted canvas panel
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Dorcie 62
2015
48 x 72 inch.
Block print, mounted canvas panel
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Juan 62
Los Angeles, CA
2011
48 x 72 inch.
Block print, mounted canvas panel
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Ryan 31
San Diego, CA
2011
48 x 72 inch.
Block print, mounted canvas panel
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Luther 49
San Diego, CA
2008
36 x 48 inch.
Block print, mounted canvas panel
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Benjamin 53
San Diego, CA
2014
96 x 118 inch.
Block print, mounted canvas panel
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Larry 57
San Diego, CA
2018
36 x 48 inch.
Block print, mounted canvas panel
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Mike 35
San Diego, CA
2007
36 x 48 inch.
Block print, mounted canvas panel
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Bruce 60
San Diego, CA
2007
36 x 48 inch.
Block print, mounted canvas panel
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METHODOLOGY
Preservation
Each portrait begins with a conversation. The carving of the woodblock is a slow, meditative act that mirrors the time and respect required to truly see another human being. We document not just the face, but the story behind it.
